Project manager
Kika Nicolela is interested in the encounter with the other, mediated by the camera – mostly, the video camera. Her works often involve participative methods, engaging communities in the creative process, as well as collaboration with other artists and performers. She assimilates both fictional and documentary aspects in her moving image works, fabricating a space of fluctuation and indeterminacy in which borders and opposed binaries become incongruous. This ambivalence in the moving image is what she is searching for: works that produce a real experience of the very ambiguity of our own subjectivity and of the real.
